Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

29.5.12

Ruins of Iskandar


Located in the Kashmir Valley about 40 kms west of the Indian city of Srinagar, Iskandar (Alexandria) was built by Greek colonists in the wake of Alexander the Great's 4th century BCE conquests.  It is notable for representing the farthest eastern penetration of Hellenistic cultural influences.  Iskandar flourished only briefly.  Beginning after the death of the conqueror in 323BCE, Iskandar was slowly swamped and assimilated by the indigenous culture.

9.5.12

Homo Sapiens: An Illustrated Field Guide


Homo sapiens are uniquely adept at utilizing systems of communication for self-expression. In addition to the exchange of ideas and information through language communication, each cultural tradition has evolved a complex set of non-verbal signals capable of conveying at a glance detailed ideas about identity and ideology.


Some of these culturally evolved signals are almost universally recognizable by all sapiens.  They are a sort of communication short cut, rich in information, that function to quickly define the relationship between the recipient and the signaler, making reciprocal behavioral expectations clear to both parties.

29.2.12

Homo Sapiens: An Illustrated Field Guide

Starting at the top of the world, with this individual from Tibet, a natural history in photographs, captured in its natural habitats, of the species at the top of the food chain all over the Earth.

Homo Sapiens, (Latin for "wise man" or "knowing man") are more commonly known as humans. They are the only living species in the genus Homo. They originated in Africa roughly 200,000 years ago, becoming fully anatomically and behaviorally modern about 50,000 years ago.

The study of Homo sapiens is the scientific discipline of anthropology.



Homo sapiens have the most highly developed brain of all living creatures and are capable of abstract reasoning, language, introspection, and problem solving. This mental capability, combined with an erect body carriage that frees the hands for manipulating objects, has allowed them to make far greater use of tools than any other living species on Earth. This tool-using individual was photographed in Afghanistan.

To be continued...

24.2.12

Looking at Pictures

Look at this old photograph. We sense its age from the texture of the patina on the platinum. In it, a girl reclines on a divan. She is just eight years old. Her eyes are closed. Her left arm falls limply across her stomach, her hand resting just below her waist, in the folds of a loose-fitting silky satin dress or nightgown that has come off at one shoulder, exposing the upper part of her chest, but not quite her nipple. A loose strand of hair tumbles over the other shoulder. Her legs are bare.
Like the girl, the picture itself is charmingly beautiful. Its composition is informed by the trials and errors and triumphs of five centuries of European painting. Textured fabric is set off against skin. Rich sepias contrast with ivory whites. The arms of the divan gently embrace the girl, who, we naturally assume, must be fully aware of our gaze because she is so obviously posing for the photographer.
We stare at her uncomfortably, through the disquiet of a century of now discredited but still potent, Freudian analysis, our understanding of which has come to us through the self-effacing, sardonic wit of the early Woody Allan films. At the time of course, Freudians had a field day interpreting Wonderland’s rabbit holes and tiny keys and the bit about Alice growing and shrinking.
Here’s another photograph, contemporary, high-definition, glossy, colour. She looks fourteen or so. Aside from a long blue frond that hangs over her right eye, her hair is cut brutally short into black spiky tufts that give her an angelic, yet deviant sexuality. Lips slightly parted in flashbulb surprise, she wears multiple ear rings and a discrete tattoo.
On the edge of right now, she fills her blue-jeans-with-the-knees-ripped-out like a surgical glove. Her tiny breasts beckon for gentle caresses through the t-shirt with Just Do It! printed across the front. The intermittence of skin flashing between these two articles of clothing, between t-shirt and jeans, this is the flash that seduces. Through her eyes and in the very gesture of her stance, she implores, and this impels us to purchase.