29.3.12
Pausing for a Smoke
27.3.12
World View
25.3.12
Chronicle of a Journey to the Dark Side of the Earth: Part 2
The Fragrance of Flowers and the Subtleties of Love
The sky is overcast with frozen industrial pollution and the air is grey and gritty with blowing coal dust. In silent, resigned determination, an endless stream of cyclists, bundled against the Manchurian blasts, pedal the socialist bike lane under portraits of their Chairman, Great Leader, Dear Leader, their heads bowed, exhaling plumes of frosty breath. Pumping up and down, their calf muscles flex rhythmically under the layers of rayon long-johns under their pathetic cotton trousers, the chill benevolence of the oxymoronic people's democratic dictatorship. Profound depression is the dominant emotion, the goal of socialism justifying whatever means, however cruel, might be necessary to achieve an upstairs and a downstairs, indoor plumbing, enough to eat, electric lights and a telephone.
The whole truth has still not been told. Beauty passes by unrecognized in the bike lane. One by one, the individual faces in the passing multitude spark a torrent of associations. Looking carefully and with some sensitivity we can perceive a mad montage pieced together from the shards of living memory.
Here's the first image: A damp and vaguely pleasant humus smell permeates a jade green landscape enchanted with bird song, the distant hilltops fading into a mist as subtle as an innuendo. And then, a sudden immensity of dirty coal lies under a banshee wind in a landscape where the brick chimneys of foundries belch smoke and soot and people are bent and misshapen, numb to blowing grit and sleet, and impervious to the fragrance of flowers and the subtleties of love.
To be continued…
8.3.12
Homo Sapiens: An Illustrated Field Guide
Ruins of Ephesus
This tiny fragment of marble (8cm) has a story to tell.
Our story takes place in
The façade of the ancient library still greets visitors today. As do the remains of the public baths across the street, featuring an outer courtyard latrine surrounded by marble benches, under which water ran to flush away the waste. Musicians are said to have performed on a platform under a colonnade in the centre of the courtyard to entertain the people as they went about their business, (so to speak).
You guessed it. This fragment was once part of that very toilet seat.
Also to be seen in
This is clearly the official doctrine of the Catholic Church. Why else would the current Pope say, on his very first foreign trip, undertaken to Turkey, on November 29, 2008:
"From here in Ephesus, a city blessed by the presence of Mary Most Holy, who we know is loved and venerated also by Muslims, let us lift up to the Lord a special prayer for peace between peoples."
It is my contention that this fragment may well be a priceless holy relic.
After all, what can the Virgin have done with her time between the Ascension and her own Assumption? I suspect she must have availed herself of the wondrous library. And when nature called, she must have slipped across to the public toilet, where this fragment of marble, attached as it was to the rest of the seat at the time, almost certainly must have come into contact with the immaculate backside.
Ephesus dwindled and was eventually abandoned in the 15th century as its port silted up and its trade access failed.
Tribal Zone
It’s only an hour-long, adrenaline-pumping drive from
Nature is not kind to Darra. In winter, biting cold winds sweep south out of
Despite this unpleasantness, Darra manages to bustle with a steady stream of visitors. Indeed, its shops are always crowded with eager bargain hunters and deal-makers. For over a century the village has been famous for two commodities: guns and drugs. Walk down the street on a typical day and you brush past a cast of characters from the darker side of human endeavor.
There are Taliban fighters with bandoleers and folding stock machine guns tucked under their arms hitching rides with Pakistani smugglers moving Japanese TVs from
In tiny tea shops under posters of the late Gen. Zia ul Haq, pathetic addicts, fugitives from the laws of almost everywhere, peasants, beggars and warlords mix and mingle over sips of sweet green chai. There is not a single woman in sight. No one in Darra has ever seen a policeman. Everyone is armed to the teeth.
With the exception of the tea stalls, two filthy restaurants and a watermelon stand, almost every other shop spills into the street displaying an inventory of fire arms that makes Darra a one-stop gun shopping heaven.
First there’s the novelty items like pistols hidden in walking sticks and ball-point pens that fire a single .22 round when you depress the pocket clip. For more serious business choose from pistols that splatter a 12-guage shotgun shell. Rifles of every description and all periods of history hang row after row, and there are even a few long muzzle-loading rifles left over from the Crimean War.
Moving upscale, there are stubby little Tommie guns with round magazines like a prop from an Al Capone movie, racked with M-16s, automatic pistols, Uzis and every model of Kalashnikov ever made.
For customers who think big, there is also a huge selection of specialized military hardware; the kinds of things you'd need a pickup truck to carry away; mortars, grenade launchers, rockets, cannons and box after box of bullets and shells to fit each one.
In addition, almost every house is a primitive gun factory that can fabricate an astonishingly accurate copy of any weapon, using only the crudest tools, in virtually no time at all. Here and there are metal lathes, grinding wheels and electric drills running on noisy generators, but most of the work is done squatting on the ground in front of a blacksmith’s vice surrounded by a collection of files and rasps.
Of course, whatever you're planning to buy you’ve got to test. Customers regularly pop their heads out of doors and blast a few rounds off into the sky. The heavier stuff they haul around the back. There, as long as you pay for the ammunition, you can pepper the side of the mountain with ordinance for as long as you want.
The drug trade is somewhat less flamboyant but no less obvious. Furtive men puff opium in shops stacked to the ceiling with tons of pungent marijuana. Other men squat for hours in dark hovels, rolling out perfectly uniform kilogram bars of dark brown, buttery hashish; each stamped with a number and a logo. Still others sweat in the hammer-hard sun, carefully slicing the pods of poppy flowers so the sap will ooze out and dry. It is gathered into sticky bundles of opium wrapped in leaves and then in plastic for shipping. A ten thousand dollar investment at this end, it is said, to finesse the connivance, bribery and bravado required of the smuggling operation, will suck $5 million or so off the streets of
When the sun reaches its highest point, most of the men turn in their tiny shops, as they do five times a day, and quietly facing
A woman here seems to have a little more esteem in the community than a good camel, but not much more. In public she peers at the world through the eye-hole of her burka, like a sleeping bag pulled over her head. Her private life is an unbroken cycle of fetching water, drying cow dung patties for fuel, cooking, and caring for children.
While the technology of their livelihood has kept pace with the changes from muzzle-loader to full automatic into the twenty-first century, the folks in Darra seem socially pretty well adjusted to life in the twelfth.
5.3.12
Certain Female Spiders
Chivalry is dead, but that tradition of gallantry formerly masked and to some degree mitigated the organized oppression of women and its echoes still resonate. While males monopolized political and economic power, they made their domination of women more palatable by surrounding it with an elaborate ritual of deference and postures, letting them pass through doorways and get into lifeboats first.
They set themselves up as the protectors of the weaker sex, and this cloying but useful fiction set some limits to their capacity to exploit women through sheer physical force. Although, at the same time, the counter-convention of droit de seigneur, which justified the predatory exploits of privileged males against women socially inferior to themselves, showed that at no time did men cease to regard most women as fair game.
The exploitation of women by men, far from constituting a secondary formation dependant in one way or another on the organization of production, as good Marxists are taught to think, antedates the establishment of production based on private property. Needless to say, no slur clings to Odysseus for his infidelities to Penelope, willing or unwilling, in the course of his wanderings homeward. The faithfulness required of a man to his home and his kin did not include the chastity of his body as it did in the case of his wife. The long history of rape and seduction serves as a reminder that animal strength and nothing to do with the economic system, remain the basis of masculine ascendancy, manifested in its most direct, ancient and brutal form.
Yet polite conventions, even when they are no more than a facade, function as an operational myth that provide women with a degree of ideological leverage in their struggle to domesticate the wildness and savagery of men. We have surrounded essentially exploitative relationships with a network of reciprocal obligations, which if nothing else, obscures the exploitation, thereby making it perhaps a little easier to bear. Nevertheless, regardless of her poise and her intellectual maturity, the fact remains that Simone was still deeply hurt by Jean-Paul’s infidelities.
Male and female are subjective assignments. A society which grants the privilege of doing or being done to, exclusively to one sex or the other, warps its children. A child of either sex has urges to penetrate, devour, and possess; to be cherished, dominated, and contained. Who can resist a detailed account of how certain female spiders eat their mates?
3.3.12
Chronicle of a Journey to the Dark Side of the Earth: Part 1
Each According to Their Opportunities
The air has that distinctive southern smell of coconut and blossom and stale urine and dung. It is hot, dry and inhospitable for much of the year. Truck tires and marching boots kick up a relentless, choking dust. The rest of the time the monsoon is wet and uncomfortable. There’s mud and the shit of a multitude of species underfoot, and the rivers run, with floating tree limbs and garbage, brown and swollen.
The ride from the airport into the city centre is a bit like Dante’s circles of Hell, a divine comedy that isn’t the least bit funny; a meticulously-crafted moving diorama of the failures of civilization: broken-windowed factories, boarded-up shops, slums, tenements, and a prisoner of war camp. Everything looks temporary and contingent.
Feral cats hiss at one another. Feral children prowl through garbage. Obscene at first, but shift the perspective only a little, twist the thinking to dissociate from the actual human pain that this scene conveys, and think of it as a representation of the idea of pain miraculously made manifest. Sort of like a Bosch hell-scape you can drive through.
These people were the meek who had inherited the earth, but then some mean bastard took it away from them. For centuries they’ve been yoked to this land, first as slaves, then as share croppers, their existence governed by their skin color, together with the seasonal rhythms of the rain and of planting and harvesting, their pace matched to that of their draft animals.
Human bedrock, for a thousand years they’ve lived these lives, worn these clothes, guided these ploughs, bowed their heads to oppression and bent their backs to work, been conquered and re-conquered, ruled in turn by barbarians and kings, imperialists and the faceless bureaucrats of tyrants, uninvolved, unconsidered, un-revolutionary, uneducated, passive, almost mute. Then the war came, and with it naked rule, unrestrained by law, constitution or convention, unanimous, save for the enemies of the people, every action not mandatory, forbidden.
We see a soldier kissing a small baby, its mother despondent with her head in her hands, an older woman raising her arms towards the man’s face, in the slanting lights and shadows of a setting sun, an El Greco of beseeching gesture, of supplicating eyes and hands and sorrow.
Even this is not evidence which would imply that there might be a point to anything; for example, that good triumphs over evil, or that love matters, or that there is some difference between day and night or today and tomorrow. Now, there are no mothers radiated by the beauty of their children. There are no institutions of charity. The hungry sell themselves as slaves or as mercenaries or for a fuck, each according to their opportunities.
To be continued...
2.3.12
Homo Sapiens: An Illustrated Field Guide
Ruins of Tikal
Coltrane
The Dionysian howls, wild, unrestrained sensuality, are perfectly balanced by orderly, rational, self-disciplined, Apollonian grace-notes, slipping into essential melody notes and taking precisely half their time value.
The bass player momentarily abandons his walking line to reinforce two drum kicks, then imitates a third immediately after hearing it. In response, the drummer plays on-beat punches that reinforce the bass player’s return to a walking pattern. One part’s subtle phrasing shift, from an even eighth-note feeling to a triplet swing feeling, resulting in a near simultaneous fleeting shift in the other part. An intensified feeling of swing in the drummer’s part leads to comparable intensification in the bass part that progresses from straight to swing patterns and, finally, to triplet figures.
Coltrane always puts an aura of excitement in the air. Elvin Jones is, of course, central to this. He creates the collage of percussive sound fragments, linked by intuition to the tune. His infectiously swinging ride cymbal implies the basic time so strongly that he doesn’t need to state it explicitly. He just throws himself into the most dangerous musical situations, somehow managing to land safely and solidly back on the beat in the following bar, never without nuance, but so powerfully, so elementally, like a force of nature.
And on top, in between, and underneath this molten rhythm, the cries that come to the mind and the viscera, the horn as an extension of the self, the totality of commitment, the excavation of emotion, is the thrust of the imperious imagination of John Coltrane.
Think about the endless hour after hour of his practising, and the hour after hour of his thinking about the wholeness of the universe and of the ways in which one could become part of that wholeness through music. Conviction, dedication, spirituality, the excitement of discovery, the revelation of greatness, a substance so rich and full of unbounded beauty and fire, a musical power so incredibly strong, that no one could have imagined that all that probing and contemplation could often, and paradoxically, lead to what at first sounds like a primal scream.
But no, hear him pushing at the edges of a familiar tune, like My Favourite Things. The aggression and fury of his style, as he mows mercilessly through rain drops on roses and kittens with whiskers and snowflakes that stay on my nose and eye lashes, could only have been brought to a halt by liver cancer.
It puts things into a larger context if you remember that he was, at the time, a junkie. He kicked heroin by using alcohol as a crutch, only to become an alcoholic. Eased out of the Davis quintet, he dried out and found God. the last ten years of his life featured an ongoing but intermittent addiction to junk food with fat and svelte sets of clothes, to cycle through the binge and health-nut phases.
That Particular Fish
I remember once you leaned forward and brought your lips close to my ear. I could hear the wind and my own heart beat. In the twilight an owl flew by on silent wings. Birds were singing.
You pronounced the word love.
It had taken four thousand million years of evolution to produce those lips and that word. The muscle movements required to produce that single word are more intricately choreographed than any dance. Every tiny muscle fiber must contract at exactly the right moment in total coordination with all the others. Electrical impulses flash along neural pathways. Somewhere in your brain there is circuitry that stores the patterns of those movements.
“Love,” you had said. It was almost a whisper.
The sound radiated outwards, conveyed by vibrations in the air, propagating across the space between us, funneling deep into my inner ear, where it excited a tiny system of bones and membranes. Electrical impulses traveled to my brain where a network of nerve cells, which had also taken four thousand million years to evolve, distinguished the bird song from the wind and the sound of my heart beat from the significance of the moment, while the owl flew by on silent wings.
If that particular fish had not come out on to the land; if the meteor had not destroyed the dinosaurs, this could never have happened.